This large mirror frame came to me ready for refinishing (picture at left). 

I began by applying rich raw sienna tone to the whole surface.  My next step was to  outline the interior round moulding in black-toned shellac.  After that, I applied 23-carat gold leaf to the central floral motif and the innermost moulding.  To suggest age, I then applied an umber glaze to the entire surface and lightle distressed the black and gilded surfaces.  The piece was then finished with a good application of paste wax.

(Progress pictures at left, completed details below).